I haven’t been writing my blog lately because I’ve been busy writing my book. At the moment I’m wrestling with chapters 6 and 7. It’s 1822. Walter has arrived back in Britain, having made a fortune – over £100,000! – in China. I’m trying to set the scene for this transition point, and I keep tripping over Jane Austen.
In many ways, at this point in his life Walter Davidson was a quintessential ‘single man of good fortune…in want of a wife’. It’s a real phenomenon, and one that Jane Austen obviously knew: first, you make your fortune in some far off outpost of empire (or Yorkshire, in the case of the Bingleys), then you return to your local community, or a friend’s community, and shortly afterwards marry an appropriate girl within the extended family circle. Men like this are peppered throughout her novels. Continue reading
Posted in biography, european history, historiography, Uncategorized, Walter Stevenson Davidson, women's history
Tagged D'Arcy Wentworth, history of marriage, Jane Austen, Pride and Prejudice, Walter Farquhar Hook, Walter Stevenson Davidson, writing
Towards the end of Pride and Prejudice there’s an odd phrase. Lydia has gone with the militia to Brighton, as a guest of the Colonel’s wife, and the Bennet family are waiting for her letters,
but her letters were always long expected, and always very short. Those to her mother, contained little else, than …the library …officers … a new gown… a new parasol …was obliged to leave off in a violent hurry.
Her letters to her sister Kitty are rather longer but ‘were much too full of lines under the words to be made public.’ (vol. 2, ch 19)
The phrase is usually taken to mean underlining as a form of emphasis – if Lydia was emailing today, I just know she would use Comic Sans and too many exclamation marks!!! – but it always puzzled me, and I think I discovered exactly what Jane Austen meant one day back in the 1990s when I was reading some family letters outside Braidwood. Continue reading
Posted in historiography, personal and self-indulgent, Walter Stevenson Davidson
Tagged handwriting, Hugh Gordon, Jane Austen, Patrick Leslie, Pride and Prejudice, Thomas Dowse, Thomas Graham, Walter Farquhar, writing